Pieter-Rim de Kroon started as a cameraman for the cinema newsreels and graduated from the Dutch Film Academy in 1981. Pieter-Rim is a highly acclaimed filmmaker of feature documentaries on cultural, environmental, and scientific subjects. Pieter-Rim's films have tremendous visual impact and an eye for detail and owe much to his self-developed radical observational approach. The fragile relation between man and nature is a key subject in his films. Over the years, Pieter-Rim's films received over 140 international awards. He is currently preparing a feature documentary Cloud Busting, an ode to the cloud as a chaotic and poetic phenomenon and its relation with climate change.

Tan Pin Pin is an award-winning Singaporean film director and producer who has spent the past two decades chronicling her country's history, memory, and representation in thoughtful and self-reflexive works. Titles include Singapore GaGa [2005], Invisible City [2007], To Singapore, with Love [2013], and In Time to Come [2017]. They have screened theatrically in Singapore and at the Berlinale, Forum Film Dokumenter, Hot Docs, Busan, Visions du Réel, SXSW, and the Flaherty Seminar. She has had retrospectives at RIDM, Dok Leipzig, and Liberation Docfest, Dhaka. Tan has won awards from Cinéma du Réel, Dubai International Film Festival, and Taiwan International Documentary Festival. She has mentored at JIFFEST, DMZ, Busan, and Asiadoc and juried at festivals. She was a board member of the National Archives of Singapore and the Singapore International Film Festival and a founding member of filmcommunitysg, an advocacy group for independent filmmakers. In 2018, she was one of two Singaporeans to be invited to join the Academy of Motion Picture Arts and Sciences, USA.

Latest representative works: Works Undertaken as the Chief Director and Producer include: The Story of China’s Grand Canal, Meet the Chinese Characters, World Heritage Excursion, We Brand: World Heritage in China, Testing Times 2020, Wuhan: My Anti-Epidemic Diary, The Lop Desert Experience, Big Data Era, Take China Relish Life III, Chinese Life Style, etc. Works Undertaken as the Producer include: Tongues of China, The Adventures of Rabbits, Blue Realm, The Profile of Traditional Chinese Music, National Treasure Under Fire, Hermit Master, etc. Main Awards: Dare to Ask the Sky won the first prize for the social education feature film at the China Radio and Television News Awards in 2003; Broken Wings won the Best Documentary Award in the Gender Affairs Unit of the AIBD (The Asia-Pacific Institute for Broadcasting Development) TV Festival in 2007; Bird's Nest-The Place Where Dream Begins won the "Golden Panda" Award of Asian Production in Social Category at the Sichuan TV Festival in 2009; The Director of the Migrant Workers won the TV Documentary Award at the 2013 China Radio, Film and Television Awards (the 23rd "Starlight Award"). Besides, she was the winner of the Outstanding Series Awards in 2015, 2017 and 2018 under the license of the National Radio and Television Administration, the winner of the "Golden Panda" Jury Special Award in Social Category at the 13th Sichuan TV Festival and the first Top Ten Directors of China Media Group in 2020. In 2022, her work Meet the Chinese Characters was nominated for the Best TV Documentary Award at the 31st China Golden Eagle TV Art Festival.

Lucinda is a Creative Director at Oxford Scientific Films and an ex-BBC Specialist Factual Commissioning Editor and Natural History Unit Executive Producer with over 30 years of experience making world-class, innovative, and award-winning factual television across multiple series and many different genres. Lucinda is a highly creative programme maker, storyteller and business winner specializing in Natural History and Science making shows for multiple broadcasters including the BBC, ITV, PBS, Discovery Channel, Netflix and Animal Planet. Her work varies from the primetime Emmy-nominated Secrets of the Elephants to the Natural History meets drama series Serengeti. Her popular factual series Hidden Lives of Our Pets has five daytime Emmy nominations, and her pioneering animal soap Meerkat Manor broke new ground in creating character-driven stories. She has also created returnable science formats and Blue Chip NH landmarks. Lucinda has been at the forefront of pushing boundaries and creating exciting new ways to tell stories. As a producer and also as a commissioning editor, she has created highly successful new formats and series, many of which have gone on to multiple subsequent series, always with a focus on innovation.

Cheung produced multiple documentaries, feature and short films, such as the documentary KJ:Music and Life (Best Documentary, Best Editing, Best Sound Effect at the Golden Horse Awards, currently the only winning documentary of the kind, and Best New Director at the Hong Kong Film Awards); The feature film Somewhere Beyond the Mist (shortlisted in the competition of Busan Film Festival, and nominated the Best Screenwriter, Best New Actor and Best Supporting Actress of the Hong Kong Film Awards). In recent years, two scripts with vastly different styles were written: In the Name of Love and Sleeping with the Wolf, both of which were selected as the top ten scripts in the Hong Kong Film Development Fund, and both received financial support. They are currently preparing for the feature film Madman's Diary, which has been awarded the Script Development Fund at the Busan Film Festival and will be funded by the Passion of Fire project, which will be supervised by Tung-Shing Yee and funded by the Hong Kong Film Development Fund.

Professor and doctoral supervisor of the School of Television, Communication University of China; Visiting Professor of Communication Studies, Université Paris-Panthéon-Assas (Paris 2), France; Professor and Doctoral Supervisor of Film Studies, Macau University of Science and Technology; Senior Consultant and Project Evaluation Expert of the Publicity Department of the CPC Central Committee; Executive Vice President of The Chinese Society for Folk Film & TV Arts Promotion; Executive Vice President of the Private Film and Television Commission of the China Television Artists Association; Vice Chairman of China Film and Television Industry Promotion and Investment Committee of China Film Association; Vice Chairman of the China Web Series Production and Broadcasting Cooperation Promotion Committee; Chairman of the Jury Committee of the Documentary Competition of the Beijing International Film Festival; Member of the Selection Committee of the Tiantan Award of the Beijing International Film Festival; Final judge of the Golden Kapok Award Competition, China (Guangzhou) International Documentary Film Festival;